"Crocodile Tears - Photography and Criticism in Portugal 1980-2000" by Susana Lourenço Marques was presented in Lisbon, which includes in a previous point (0) a text by Ernesto de Sousa published in the Dictionary of Universal Painting, Vol 1, Lisbon , Estudios Cor, 1962, p. 268.
from the program) At the Cinemateca we watched the Ernesto de Sousa Programme – 2. Dom Roberto is the film that best reflects Ernesto de Sousa’s intense relationship with cinema and expresses his strong commitment to the development of a cinematic culture that would give rise to Cinema Novo in Portugal.
At the Cinemateca we watched Ernesto de Sousa Programme – 1. A screening centered on two events that brought together collectives of Portuguese artists in the late 1960s and 1970s, both of which had Ernesto de Sousa (1921–1988) behind their organization. A decisive figure in the visual arts and cinema of
“An Atlantic drift. “The art of the XX century” is the title of the new permanent exhibition of MAC-CCB, directed by Nuria Enguita, together with her co-curators, Marta Mestre and Mariana Pinto dos Santos, scientific advisor. The room PAPERS presents a selection of ephemera from national and