CEMES is lending documentation and photos for the exhibition "José de Almada Negreiros: a way of being modern", a comprehensive retrospective on the work of an artist who propelled the avant-garde in the 1910s and whose career spanned the 20th century. Opens on February 2nd, 2017 at the Calouste Gulbenkian Foundation, curated by Mariana Pinto dos Santos.
"Crocodile Tears - Photography and Criticism in Portugal 1980-2000" by Susana Lourenço Marques was presented in Lisbon, which includes in a previous point (0) a text by Ernesto de Sousa published in the Dictionary of Universal Painting, Vol 1, Lisbon , Estudios Cor, 1962, p.
In the exhibition catalogue, José Luís Porfírio outlines 3 exemplary stories in Portugal in the 1970s: Dulce d'Agro (Galeria Quadrum), Fernando Pernes (Museu Soares dos Reis) and Ernesto de Sousa (Alternativa Zero) -. they are, each in their own way, key players in the change that has taken
Exhibition of documentary material from the Happening Vostell Archive on the artist's presence in Malpartida de Cáceres, with research and editing by José A. Agundez, Josefa Morillo and Alberto Flores.Conference by Rui Eduaro Paes and historical introduction in images by Isabel Alves. Presentation
Launch of the #2 ARTE E CULTURA VISUAL magazine – dedicated to the Centenary of Ernesto de Sousa, Conception and Editorial Direction: Isabel Nogueira, Edition Center for Research and Studies in Fine Arts (CIEBA), with texts by Isabel Nogueira, Ana Soares, David Santos, Fernando Paulo Rosa Dias, Liliana